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Original Title: Brief Interviews with Hideous Men
ISBN: 034911188X (ISBN13: 9780349111889)
Edition Language: English
Free Books Online Brief Interviews with Hideous Men
Brief Interviews with Hideous Men Paperback | Pages: 273 pages
Rating: 3.86 | 23725 Users | 1838 Reviews

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In his startling and singular new short story collection, David Foster Wallace nudges at the boundaries of fiction with inimitable wit and seductive intelligence. Venturing inside minds and landscapes that are at once recognisable and utterly strange, these stories reaffirm Wallace's reputation as one of his generation's pre-eminent talents, expanding our ides and pleasures fiction can afford. Among the stories are 'The Depressed Person', a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World', which reveals a woman's agonised consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men', a dark, hilarious series of portraits of men whose fear of women renders them grotesque. Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many different guises. Thought-provoking and playful, this collection confirms David Foster Wallace as one of the most imaginative young writers around. Wallace delights in leftfield observation, mining the ironic, the surprising and the illuminating from every situation. His new collection will delight his growing number of fans, and provide a perfect introduction for new readers.

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Title:Brief Interviews with Hideous Men
Author:David Foster Wallace
Book Format:Paperback
Book Edition:Deluxe Edition
Pages:Pages: 273 pages
Published:April 1st 2000 by Abacus (first published May 28th 1999)
Categories:Short Stories. Fiction. Literature. American

Rating About Books Brief Interviews with Hideous Men
Ratings: 3.86 From 23725 Users | 1838 Reviews

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To call these meanderings and sub-meanderings of a brilliant mind short stories, will be akin to putting a leash on DFW's creativity with the aid of conventional terminologies and thereby undervaluing the sheer inventiveness on display in this compelling collection. In course of my limited venturings into DFW's literary landscapes I have arrived at one crucial inference. That to read DFW is to transgress the very act of simply reading through and discover a newer way to commune with his chain of

David Foster Wallace may be my favorite author, but I have to admit he had his shortcomings: uneven short fiction. He never wrote a collection of short stories that has affected me on the same level as Infinite Jest or Consider the Lobster and Other Essays, although this one is his strongest to date. His main problem was that a few of his stories seem more exercises in cleverness than anything else: here, we have the infamous "Tri-Stan: I Sold Sissee Nar to Ecko," an ill-advised attempt to give

How did he pronounce it? I say, coy-tahl.

The story 'Forver Overhead' made me realize the one thing that I appreciate most about DFW. Much of his writing is executed with such exquisite, painstaking detail that it not only causes me to visualize the scenario more clearly, but often at the same time a particular scene will make me recall memories that were long ago misplaced. This story is about a thirteen-year-old boy who works up the courage to tackle that youthful right of passage of going off of the high dive for the first time. The

ON HAVING HAD IT WITH DAVID FOSTER WALLACE FOR THE MOMENTGiven that most of my goodread friends love DFW with immoderate, alarming gusto, this requires some kind of explanation.Theres a direct parallel between DFW and James Joyce. They both tended perpetually towards the encyclopaedic. They were utterly indifferent to audience expectation - even to the modernist, avantgardish audience they themselves created. Their main books are vast, oceanic, limitless affairs. They appeared to wish to use

Ugh. Wow, this is just... bad. By page 230, I had had enough. The thing is, it's as if he decided he had to use every trick up his literary sleeve and instead of relying on the ingenuity and originality of his stories, he mucks it all up by trying too hard to be "unique." There are the brief interviews, which in and of themselves are interesting (saving this reviewer from having to give the author of one of my favorite books of the year one measly star). Then there are several short stories
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