Define Books During Dreamtigers
Original Title: | El hacedor |
ISBN: | 0292715498 (ISBN13: 9780292715493) |
Edition Language: | English |

Identify Based On Books Dreamtigers
Title | : | Dreamtigers |
Author | : | Jorge Luis Borges |
Book Format | : | Paperback |
Book Edition | : | Deluxe Edition |
Pages | : | Pages: 96 pages |
Published | : | January 1st 1985 by University of Texas Press (first published 1960) |
Categories | : | Poetry. Short Stories. Fiction. Magical Realism. Literature |
Explanation Concering Books Dreamtigers
Dreamtigers has been heralded as one of the literary masterpieces of the twentieth century by Mortimer J. Adler, editor of Great Books of the Western World. It has been acknowledged by its author as his most personal work. Composed of poems, parables, and stories, sketches and apocryphal quotations, Dreamtigers at first glance appears to be a sampler—albeit a dazzling one—of the master's work. Upon closer examination, however, the reader discovers the book to be a subtly and organically unified self-revelation.
Dreamtigers explores the mysterious territory that lies between the dreams of the creative artist and the "real" world. The central vision of the work is that of a recluse in the "enveloping serenity " of a library, looking ahead to the time when he will have disappeared but in the timeless world of his books will continue his dialogue with the immortals of the past — Homer, Don Quixote, Shakespeare. Like Homer, the maker of these dreams is afflicted with failing sight. Still, he dreams of tigers real and imagined, and reflects upon of a life that, above all, has been intensely introspective, a life of calm self-possession and absorption in the world of the imagination. At the same time he is keenly aware of that other Borges, the public figure about whom he reads with mixed emotions: "It's the other one, it's Borges, that things happen to."
Rating Based On Books Dreamtigers
Ratings: 4.2 From 3116 Users | 280 ReviewsAssess Based On Books Dreamtigers
There are 6 or 7 incredible pieces in this collection, but the majority of these are somewhat expository compared to his early and famously enigmatic short stories. The first half is comprised of flash fictions and fragments; these tend to be more consistent. However, the poems in the second half are just too closed-circuit, performing their little clevernesses for the reader's amusement. More often than not, they explain the function of their own conceits---point directly to the meaning that"Covered Mirrors", my favourite of his, comes across as somewhat solipsistic in retrospect, but this is still a worthy collection. I like stuff that is touched by/touches upon the real, rather than literary (ew [retches]), world, mention of Macedonio, those which come across, at least, as personal narratives, relation of anecdotes, statements of influence and inspiration amongst friends.
This book is an experience. JLB is a master at writing deep short stories and works that reach beyond time and seem to speak to the humanity in all of us. This book is a work of art. Highly recommended.

Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges Borges
Borges called this his most personal work, but he did not mean it was his best (not that writers have a good track record with choosing their best work). Because it is personal it is hit-or-miss when taken piece-by-piece, but becomes coherent as a complete whole. I have not gone blind, but I would imagine that your visual memory eventually begins to fade and leaves behind only the images which were branded on your brain when they were made. This is Borges's mental photo album, hence its
Impressions, momentary and vivid, would wash over him. and then they wash over the reader.I have the Collected Fictions (with copious translator's notes), but am splitting my review of that into its components, listed in publication order: Collected Fictions - all reviews. Dreamtigers, aka The Maker, is the fifth, published in 1960, and Im including reviews of two pieces published under the title Museum, and the four prose pieces from In Praise of Darkness, published in 1969.Brevity and
I went into reading this book knowing that it is hailed as a defining piece of literature of the 20th century; that it was highly recommended by a friend whose taste in books is impeccable; that it is an odd collection of short anecdotes and poems, apparently disconnected, but tied together by a deep thread; but above all, written by a writer whose earlier books had left me spellbound by their sheer intelligence and philosophical depth. Therefore, obviously I was expecting a lot.The book didn't
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